2023 Queen Tilly and the Marys is a raucous response to musical theatre that explores comedic absurdity, camp materiality and the radical potential of intergenerational play. Developed during the height of…
2019-2020 The Bottom of the Fountain is Painted Turquoise is the result of an Artist Residency Milton participated in during the Fall of 2019 at Artscape Gibraltar Point on the…
2019 Guided Meditation with VHS Eyelashes is an experiential performance that explores screen space, maximalist femininity, and pop culture notions of transcendence. Using camp materiality and absurdist excess, Milton collides…
2019 Cracks and Vines is a video memorial to houses erased from the Mount Pleasant landscape. Screened as part of the Mount Pleasant Community Art Screen inaugural program, Place, the…
2018 Punchline is a digital drawing that focuses on the mouths of a series of female-identifying comedians directly after telling a joke. Celebrating the raucous, visceral aspects of comedic performance,…
2017 Staged within the hidden confines of a private hotel room, Milton masquerades as a hysterical diva caught in a tragic-comic cycle of perpetual destruction. Originally made available for public…
2017 Downfall was an immersive video installation and live performance that was performed as part of the Shooting Gallery Performance Series in Vancouver, BC. Exploring the spatial and conceptual relationship between…
2016 High Kicks into the Light Forever and Ever and Ever is a video installation that investigates the relationship between glamour, affect and the longing for transcendental experience. Composed of…
2015 Study for a Feather Boa (From the Frayed Petals of an Artificial Rose) extends upon Milton’s interest in the performativity of materials. Investigating the decorative refuse of commercial culture, Milton…
2015 Soap Opera with Chocolates is the third installment in Milton’s video installation series, Breakdowns (2013-2015). Mirroring the emotional collapse of a central female character, the surrounding set and props…
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