Read more about the article Chandelier
Chandelier, 2014, Terrible Beauty, FUSE, Vancouver Art Gallery, Performance Documentation

Chandelier

2014 Chandelier was a collaborative live performance that adopted the choreography of a chorus-line to investigate hyperbolic expressivity and the performativity of materials. Staged within the opulent surroundings of the Vancouver…

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Read more about the article Cotton Candy Insulation Keeps You Warm and Cuts Like Glass
Cotton Candy Insulation Keeps You Warm and Cuts Like Glass, 2013. Installation View Photo by: Blaine Campbell

Cotton Candy Insulation Keeps You Warm and Cuts Like Glass

2013-2014 Cotton Candy Insulation Keeps You Warm and Cuts Like Glass was a performance and installation work that revolved around inviting a series of participants into the gallery space (during closing hours)…

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Read more about the article Two Women, Two Striped Robes, Two-Hundred Lemons, Anemones and Lipstick
Two Women, Two Striped Robes, Two-Hundred Lemons, Anemones and Lipstick, 2013. Again and Again and Again, Fuse, Vancouver Art Gallery, Performance Documentation Photos: Jim Travis

Two Women, Two Striped Robes, Two-Hundred Lemons, Anemones and Lipstick

2012 Two Women, Two Striped Robes, Two-Hundred Lemons, Anemones and Lipstick was a performative response the Vancouver Art Gallery exhibition Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore.…

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Read more about the article Elizabeth Taylor Impersonators
Elizabeth Taylor Impersonators, Digital Print of Chalk Pastel Drawing, Detail, 2012

Elizabeth Taylor Impersonators

2012 Elizabeth Taylor Impersonators is a digital print of a series of hand-drawn pastel portraits that investigate questions of authenticity, amatuerism and the immortalizing nature of portraiture. Drawn under the direction…

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Read more about the article Rerun
Rerun, 2011. Video Stills

Rerun

2011 Rerun is a site specific video performance that took place at what was at the time, the newly renovated Waldorf Hotel in Vancouver. Exploring the contradictory desire for historical re-enactment…

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Read more about the article Still
Still, 2011. Installation View, Occasions for Ruses, Surrey Art Gallery.

Still

2011 This two-channel video installation, Still: Re-Posing Lady Brute (for the duration of Kate Craig’s ‘Skins’, 60 mins 33 sec), investigates processes of re-enactment by focusing on the relationship between documentation,…

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